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Fig.2 Anthropomorphic sculpture 250 AD |
The principles of composition in Teotihuacan art entail linear placement of all the shapes and forms used. Therefore, the exquisite combination of geometric and naturalistic forms in painting underlines the symbolic meaning of the characters rather than creating an illusion of space. There is no overlapping of forms and each s ymbol is flawlessly integrated within the rest of the shapes used. The repeated patterns impose a certain rhythm to the representation of the figures, reflecting the Teotihuacan conceptual art and its system (Fig 1). Furthermore, the sculptural representation of figures (animals, warriors, gods etc.) also discloses repeated geometric forms, synthesized together with the natural body shapes to form a unique piece of art. They are highly stylized, with some exaggerated parts such as the mouth or the eyes. In addition, the sculptures of anthropomorphic figures incorporate a symmetrical body and a big head which distorts the natural proportions of these characters (Fig. 2).
The Teotihuacan art also includes huge masks with fixed sculptural features such as egg-shaped eyes, wide face and large, open mouth. These traits expose the compositional rules in the Teotihuacan art system and its conventions. Moreover, the decorative elements of the vases also expose linear arrangement of shapes and forms, through the images of animals, warriors or plants. Hence, it seems that the Teotihuacan art emphasizes the symbolic importance of the figures rather than providing a particular narrative. The diversity of motifs used enriches the depiction of significant characters (animals, gods, warriors etc.) within the limits of allegorical portrayal and abstraction.
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